Saturday, May 7, 2011
Liberty Records LRP-3445
From the back cover: There is no doubt that this is the Go-Go generation. The words Go-Go have become an automatic phrase of this era. There's everything from Go-Go discotheques to Go-Go laundromats and, I am sure, many people have asked themselves "Where does this all come from?" It all started in Paris, France and spread like wild fire to both the east and west.
This is a live recording. I found it odd because it reminds me of a boot leg. As if someone in the audience had a pretty nice tape recorder on them. I think this may have been the point (audience interaction) and historically it is interesting to hear Denny perform as though you were sitting in the audience. I don't know how this record went over with the buying public. The sound must have seemed a little rough or cheap to many who were more used to hearing studio recordings.
Pagan Love Song
Come To Hawaii
Harry Hoomele And His Island Orchestra
Grand Award Record Corp.
Another fab Enoch Light disc. The record blends more traditional and pleasant sounding tunes with a few more rocking tunes including Hula Hula Rock. But I couldn't pass up Pagan Love Song as my cherry pick for this post.
I could not find any bio info on Hoomele.
Johnny Williams And His Orchestra
Columbia CS 8467
Available by MP3 purchase/download. But you don't get the fab original cover. Note the "orange" square at the top with the image of the horn. That is one of those "images" that you usually see on a vintage postcards of an eagle whose wings flap as you move the card from side to side. A fun little gimmick that you usually don't see on jackets.
The music is delightful blend of period trends including ping-pong, light pop, percussion, big band swing and jazz. The back cover features a diagram of studio positions of the musicians mentioning that 14 condenser microphones were employed. The engineering is excellent.
An Occasional Man and My Heart Belongs To Daddy are great space age tracks.
Read all about Williams on his wiki page! He wrote scores for many big movies including several Star Wars films.
Music By George Dunning
Colpix SCP 505
This is a terrific space age album that blends spoken word (Narrated by John McIntire, Star of The Naked City), vocals, easy listening, light pop and jazz into the story of The Naked City.
The only source for this recording seems to be iTunes/England. You would have to purchase all of the tracks as the album is an original story and not a "soundtrack" from the TV show. Weird that you can't get this LP on CD or by the download in the U.S.
The album is worth searching out. Sorry I can't post a sample.
In Memoriam For My Friend Henry Saia - Peter GlushanokElectronic Music Vol. V
Music From The Dartmouth International Electronic Music Competitions
1960 and 1970
Turnabout TV-S 34427
From the back cover (concerning the first track which is posted as a sample above): Completed in early 1969, this piece was begun as an experiment in textures from concrete sources, and was developed as an elegy in memory of my friend Henry Saia who died by suicide just a few months before. Henry's transient and restless quality, seen through the eyes of his friends who discuss him interminably; his depressions lightened by a sense of humor, and his life which ended without hope despite the jokes and the friends, broke traumatically into our unawareness.
The entire album is filled with excellent space/SF/dark and moody stuff with titles that include Cambrian Sea, Trip Through The Milky Way – An Electronic Panorama, Divertimento, Ambience and Mutations.
Friday, May 6, 2011
The Syncopated Clock
Nice bachelor pad big band swing from Academy, Grammy and Emmy award winning composure Sid Ramin.
From the back cover this record was marketed as Ramin's follow up to his album New Thresholds In Sound. "I wanted a great deal of orchestral weight in this one. Soloists, yes, but with an over-all big-band sound predominating. I wanted to see if the Dynagroove system could handle the ultimate in dynamics. You can hear how we come in a split second from a full-forte orchestral mass to the sound of a single instrument."
The engineering on this record is very good.
Fado MadragoaHoliday Abroad In Lisbon
Auguste Alguero, Jr. And His Orchestra
RCA Victor LPM-1596
One of the series of "Holiday Abroad" albums. This was a series of records with a promotional tie-in with Sabena, Belgian World Airlines.
I can find no information on Auguste Alguero, Jr. The music is pleasant easy listening with some space age touches. A good step up from the typical "tourist" promotional recording fare.
Bert Kaempfert And His Orchestra
Decca DL 74490
Available on CD bundled with Blue Midnight. Two Kaempfert records that were apparently released back to back in 1964.
Sweet cover and great now sound light pop album with that latin feeling. Most enjoyable. For exotica lovers there is lovely cover of The Breeze And I on this release.
Read more about Kaempfert and his all too short life (passed away at 56) on his wiki page.
Composed And Conducted By Heal Hefti
Surely this record has been blogged to death. Of course the album can be found on CD, so I won't be posting a sample. But I had to dust off the cover of the copy I found and display it up here in The Atomic Attic.
What a terrific space age recording! The Batman Theme charted on the Top 40. But there is not a dull track on this LP. A masterwork of cool all the way through and possibly my favorite light pop now sound style album.
Read more about Hefti on his spaceagepop page.
Heal Hefti And His Orchestra And Chorus
RCA Victor LSP-3621
Terrific follow-up album in the same style. There are a few songs that are a bit darker.
Some of the tracks off this album are available on the CD release that includes the album posted above.
Great stuff that you have to find the vinyl to enjoy.
Monitor Records MFS 758
I'm always surprised at what recordings I find online for purchase and those I don't. From the looks of it, this album seemed like it would be a bit obscure, but it isn't. The record is available both, on CD and by the download.
That said, I will not be posting a sample. The album is a nice listen. The songs are varied enough to help hold interest and the engineering is excellent. I do look for a more exotica or unique edge which this record doesn't have. That's not a criticism, exotica is what appeals to Manic Mark up here in The Atomic Attic.
A little history from the back cover: The Royal Dance Company began as the Tahiti Nui and under that name toured the U.S.A. and Canada. In 1973 the Tahiti Nui was joined by the young Rarotongians of Turepu Turepu from the Cook Islands and the new ensemble was renamed the Royal Tahitian Dance Company.
Thursday, May 5, 2011
Living Brass Plays
A Henry Mancini Tribute
Aranged and Conducted by Ray Martin
I wasn't expecting much, but to my surprise, this is a great album. I wasn't aware that Ray Martin's "Living Brass" contributions to the Living Brass series were considered among the best Tijuana Brass inspired groups (spaceagepop).
I'd have to agree, this is great space age light pop brass with touches of big band swing. The engineering by Bob Simpson is very good.
Wednesday, May 4, 2011
I Love You Much Too Much
Jewish Wedding Dances
Audio Fidelity AFSD 6114
Somewhat obscure Audio Fidelity recording. Musicians listed on back cover include: Harry Brown - trumpet, Ray Muskiker - clarinet, Sonny Kippe - accordion, Skippy Sperling - piano, Marvin Kutcher - drums, Charles Karoll - bass and Sam Kutcher - trombone.
And there was not a dull moment to be had at the wedding party with this band doing the gig!
More Than A FeelingMuskrat Love And 24 More Big Hits
T.E.J Records 2004
Sometimes you just get lucky when record hunting. You find a record with great title, lovely vintage cover art, a flimsy jacket holding not just one, but two vinyl treasures. And those records aren't normal records, they are "GIANT RECORDS". They are also, As Seen On T.V.
What more could you ask for? How about a note for note cover of Boston's More Than A Feeling?
Yes, it doesn't get any better than this.
You can find this LP on CD bundled with Mourir D'Aimer.
There is a beautiful website dedicated to Pourcel with a section that features many Pourcel album covers and other information. The site suggests that Pourcel is considered "the inventor of lounge and easy listening music".
That's the first I've heard of that. I've always considered lounge to be music played in a lounge even though the term seems to have been adopted at some point and applied to a certain "sound".
Anyway, I'd just like to chime in and say that this is a GREAT record! If I was going to label the sound, I would say late 60s light pop or easy listening with fab spy movie flavor.
It's the kind of light pop record featuring an intricate blend of instruments that you can listen too more than once and not grow tired of it.
If you like Pourcel you will also love the music of Paul Mauriat.
Monday, May 2, 2011
Without A Song
Dick Stabile Plays For You
There are a number of Stabile resources online including a wiki page and a tribute website.
There are a number of Stabile resources online including a wiki page and a tribute website.
However, this Stabile recording seems a bit obscure. I did find the album listed on a Bethlehem Discography, but that's about the extent of it.
The album consists of easy listening, light pop and a few sexy gems like the sample posted above.
Sunday, May 1, 2011
Ted Heath And His Music
London Phase 4 Stereo
Sad to say, you can find this album on CD bundled with Heath's Big Band Bash. So I will not be posting a sample.
I've got a few Heath albums on hand and haven't really warmed up to what I've heard. This album, on the other hand, is way cool! All the songs rock in that early 60s "bongo percussion" style. There is a lot of variety in the way the songs are arranged to keep the percussion gimmick fresh throughout the album. And Peanut Vendor, track 3 on the "A" side, is an especially smoking tune featuring some great vocals. The "A" side finishes out with Drum Crazy which is crazy.
The "B" side features a cover of It Ain't Necessarily So that is arranged like a theme from a 50s "private-eye" TV show. That tune is fabulous!
This album is great fun!
Mack The KnifeBilly Vaughn!
Pickwick (by Arrangement with DOT Records) SPC-3093
Groovy 60s cover. Is the music as groovy as the cover? No.
Let me just say that I've got a few Vaughn albums in the collection that I really like. However, this one appears to be Pickwick throwing together some of Vaughn's earlier, more "Lawrence Welk" sounding stuff.
From the back cover: We are not going to be as presumptous (yes, they misspelled presumptuous) as to say that this is the definitive album of its kind... but we will tell you – and hope that you will agree – that Billy is the master of interpreting popular songs so that they may continue to live.
Honest to God... that copy is from the back cover.
Mac The Knife is by far the best track off the album.
Freddy Martin And His Orchestra
Terrific cover model looking ever so glamorous.
I love these smoking and drinking covers.
There's not much to say about the recording. I couldn't make my way through the entire record. To "Lawrence Welk" for me.
Report: Drug Addiction
A View From The Belly
America Records 1
Obscure spoken word record with strange synth breaks.
The sample I've posted is a story told by Packard Johnson.
The record appears to be a promotional tool for an outreach tool for a program or organization called Daytop Village.
Hammond Organ Spectacular
The Sensational New Instrumentalist... The Spectaculars
Grand Award G.A. 266 S.D.
Grand Awards is an Enoch Light label. You can usually count on finding something fun to listen to on these records. Even though the "Hammond" gets top billing on the album, the music is really a "group" effort.
In typical Light fashion, he credits the jacket illustrator: Elmer Wexler.
Studio musicians, however, aren't credited. I bet there are a few recognizable names to be found in The Spectaculars. Maybe Tony Mottola on guitar? Just a guess.
Porto AlegreHoliday In Brazil
Nestor Amaral And His Continentals
This album was also released with a "Golden Tone" sticker brand or logo printed in place of the Mayfair logo on the cover.
This is a great album, especially for a budget label. The music is smooth, jazzy and it was hard to pick a sample for you. There are also mixed language vocal tracks to be enjoyed.
Nestor Amaral seems to be best known for his film score work. Amaral does have an IMDB page.
From the back cover: Ameral's motion picture credits are also impressive. He introduced the hit song, It's Magic, sung by Doris Day in Romance On The High Seas, and for the occasion wrote Spanish lyrics to the tune. Senor Amaral also brought to U.S. audiences the beautiful Ary Barroso melodies, BAIA and Brazil, the first in Walt Disney's Three Caballeros, the latter in The Gang's All There. In the soundtrack area of motion picture production, Amaral is well represented as the guitar virtuoso he assuredly is. He played the guitar background in the pictures, Blood And Sand, Duel In The Sun (for Greg Peck) and For Whom The Bells Tolls. In many recent movies Amaral played background on mandolin and, in the spring of 1957, worked with singer Herb Jeffries in Calypso Joe.
What really stands out on this album is the flute work. No credit is given to group members.
Let The Sun Shine InPaul Mauriat
The list of albums to Mauriat's credit on his wiki page is overwhelming. I found the date for this release online, but I can't seem to locate in on his wiki page.
Mauriat is known for "light pop". He seems to be overlooked as a composer, with the exception of the Japanese who apparently have produced box sets of his work.
The few albums I have found got me hooked. His brand of 60s/70s light pop is very inventive. There are more often than not interesting instrumental flourishes and timing changes in his compositions that catch you off guard and hold your interest.
You can, with relative easy, find examples his vinyl almost everywhere you look.